The Sun Also Rises
For a while I’ve been trying to do something about it. And
so has everybody else. As the relentless moon pulls the ocean, the tide rushes
in, higher than myself. I am surrounded by loneliness.
The epic selfish tragedy of us is that we are lonely. It’s epic because
loneliness is under most of our thoughts and actions, good or bad, big or
small. Except for the ones motivated by jealousy or guilt, but most often it’s
a mixture of all three. It’s selfish because the business is utterly
self-centered. Our biggest concern is not world poverty, climate change, or
justice, but our psychological well-being. But after all, we’re all only human.
What can we do about our weak self-pity? Not much. Nevertheless, it doesn’t
render the whole affair somehow less egocentric and foolish. Finally, it’s a
tragedy because one rarely finds an effective cure. Very rarely, people come
across a 100% antidote. Others are mere painkillers, maybe a 40%. But even for
the 100% antidotes, who knows? The most effective drugs for an
incurable illness are often anesthetics and hallucinogens.
To keep myself from drowning, I desperately paw in the air.
I listen to music. You can choose rock to beat your senses up, the blues for deep
resonation. At the same time, music is also an effective lock for the loop of
depression. I reach out to friends. They shortly fill the emptiness inside, but
when we part, and I look down, I find that the eddie below me has grown,
gobbling me down. I talk to my family. It's the safest bay, but I’m in a
boarding school, so no. A book, perhaps. I am not exceptionally hopeful as I
pick up my favorite: The Sun Also Rises.
The Sun Also Rises introduces the Hemingway-ian hero, Jake
Barnes. Jake keeps many acquaintances, but he also dislikes most of them,
either out of envy or moral judgement. That’s me. He despises Robert Cohn for
his insecurity and foolishness, and his hate deepens when Cohn goes out with Brett
Ashley. Though half blinded by love, Jake disapproves Brett’s way of coping
with the scar of war: having numerous affairs. Nonetheless, Jake hangs out with
these people. Friends, food, and fishing relieves his pain to some extent. One
important thing to point out is that Jake is strikingly similar to Cohn. They
are both writers, athletes, and attracted to Brett. The difference, I suppose,
is that Jake is aware of his lonely insecurity and tries to shut up about it.
That quality, apart from him being the narrator, makes him more likeable to
the common eye. Or to me, at least. So I try to shut up about my epic selfish tragedy, too.
Jake is my favorite fictional character not only because he
is quietly insightful, but also because he is broken. Mentally and physically damaged,
Jake still goes on with life. Often times, the loneliness washes back, but still I do not wish to succumb. I am no war veteran, but Jake is my hero. But why? Why does Jake go on?
Opening my laptop, I go to an online literature forum. One
user asks, “What is the point of The Sun Also Rises?” I click on the question,
desperate to know the answers that the literature academics will give us.
But the wifi shuts down, and the page won’t reload. I wait for a few
minutes. Looking at the beige wallpaper of the half-loaded and
refusing-to-load-further forum page, it suddenly comes to me: there is no point.
Maybe that’s what Hemingway tried to tell us. That it in itself is the point.
The broken people of the Lost Generation struggle to find a meaning in life.
The end. We are lost, we are lonely, but we go on. It’s a life-sized, though
not odyssean-heroic, struggle. As I float, I look up at the sky up high above
me. Maybe I’ll understand why the moon gives us this shit someday. Meanwhile,
the tide ebbs out, and I continue to swim.
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